Two into One DOES go! Or How I built a Roland D-50 Synthesizer – Part 2

Building my D-50 My earlier post about the Roland D-50 synthesizer looked at the history and impact of this unique synthesizer. I had missed the one I owned and sold in 1994. Market prices for good condition D-50s are high so I had hit on a way to get one: buy two!!! I bought two

Two into one DOES go! Or How I built myself a Roland D-50 Synthesizer

Part 1: The Roland D-50 Certain instruments can be claimed to have defined an era in music. In the 1980s, the Japanese synthesizer manufacturer, Roland created a unique-sounding digital synthesizer that was destined to appear on countless hit records, soundtracks and genres. Musically and sonically, it became synonymous with its era. I’ll describe the impact

A quick link to my Immersive Audio Assignment

In my Immersive Audio assignment for my MSc Audio Production course at the University of Salford, I used DearVR Micro to create a binaural mix of an excerpt from a track I am working on: Noah’s Castle Rebuilt – Paul Grooveside – Binaural Headphones Mix for MSc. In the mix I placed a mixture of

360 Degree and Binaural Audio Technology

Binaural and immersive audio technology currently in use includes methods to record sound binaurally using microphones and ‘dummy head’ arrays designed for the purpose, and software plug-ins to enable audio mixing in binaural and 360 degree formats, such as DearVR and Facebook Audio Spatial Workstation. Replay of the formats is achieved using headphones for binaural

Revelations in Audio: Stereo Sound on Loudspeakers and in Headphones vs Binaural Audio

I’ve always preferred to listen to recorded music on speakers. I’ve had high quality hi-fi systems since I was 15, including a superb pair of loudspeakers I built myself from a Wilmslow Audio kit design. For me, music reproduced through a quality system via loudspeakers, positioned carefully in a dedicated listening room, sounds natural and

My five favourite international musicians

Kebu – Sebastian ‘Kebu’ Teir from Finland is the most genuine and likeable synthesizer player. I’ve seen him play live many times around Europe. A friend to his many fans, his gigs are always joyful celebrations of music. Kebu’s compositions are at the forefront of modern analogue synthesizer music. He is widely considered to be a pioneering